Center for Creativity


Pitt PARK(ing) Day  

Every September, citizens, artists and activists around the world turn metered parking spaces into “PARK(ing)” spaces for a day: temporary parklets, creative interventions and social spaces. Last year, Pitt's Center for Creativity and Department of Parking, Transportation, and Services teamed up to sponsor the University's first PARK(ing) Day event. Over 20 centers, departments, and student organizations took part in 2017, turning parking spaces into gardens, art studios, performance spaces, and more. 

Planning for 2018 is now underway! For more information on PARK(ing) Day 2018, check out our Special Events page!



ACCelerate: ACC Smithsonian Creativity and Innovation Festival

Virginia Tech and the Smithsonian’s National Museum of American History present the first annual ACCelerate: ACC Smithsonian Creativity and Innovation Festival on October 13-15, 2017. The festival, programmed by Virginia Tech’s Institute for Creativity, Arts, and Technology and the Museum’s Lemelson Center for the Study of Invention and Innovation, is a three-day celebration of creative exploration and research at the nexus of science, engineering, arts, and design (SEAD). Visitors to the festival will interact with innovators and experience new interdisciplinary technologies developed to address global challenges. The event is free and open to the public.

The ACCelerate festival will be an opportunity for all ACC schools in partnership with the Lemelson Center to showcase their work to the public, each other, students, alumni, companies, legislators, and invited guests from the nation’s capital.

The Center for Creativity is proud to present Erin Anderson's Our Time Is Up at the inaugural ACCelerate festival. 

This multichannel sound installation tells the story of Jake and Helen McCleary, an elderly couple struggling to save their troubled marriage. The story unfolds across a series of weekly therapy sessions in which Jake and Helen sort through the messy details of their relationship. Unlike a conventional audio drama, the characters’ voices are constructed from fragments of oral history recordings of two people who have died—and who never met. Using a manual process of concatenated speech synthesis, the archival voices have been digitally disarticulated and recombined to create a new, fictional story and an uncanny encounter between living and dead, human and machine.

This project brings together an interdisciplinary team of writers, designers, historians, and engineers and invites the audience to enter a mock therapist’s office and inhabit the experience of the absent characters, with each character’s voice emitted from a directional speaker. A screencast of the multi-track audio session reveals the secret behind the drama’s construction, and individual headsets provide access to the original oral histories. This immersive experience offers a reflection on the precarious temporality of human lives and relationships and the paradoxical potential for reinvention that sound recording affords. (Researchers: Erin Anderson and Brandon Barber)